نوع مقاله : مقاله پژوهشی
نویسندگان
1 گروه هنرهای تجسمی، پردیس البرز، زیر مجموعه دانشکده هنرهای تجسمی، پردیس هنرهای زیبا، دانشگاه تهران.
2 دانشیار گروه موسیقی، دانشکدگان هنرهای زیبا، دانشگاه تهران.
3 گروه اتنوموزیکولوژی دانشکده موسیقی، پردیس فارابی دانشگاه هنر ایران.
کلیدواژهها
عنوان مقاله English
نویسندگان English
One of the important factors in the direction of musical life in Safavid Iran was the institution of power, or more precisely, the manifestation of the politics of court culture on this art. Therefore, considering the subject matter of this article, it is essential to become aware of the policy of bloodshed1 and the way King Tahmasp I dealt with his religious prejudices in the process of continuing the life of this art and explaining the position of musicians, especially in the court of that era. Therefore, considering the necessity and importance expressed in this research, the question is: what impact did King Tahmasp I's religious policy have on the situation of the community of musical artists and the life of this art in the court?
The research method is descriptive and analytical, and the data and information were collected through library sources and documents. It seems that King Tahmasp's view on the art of music was based more on his religious beliefs and prejudices; However, in some cases, he also had the political aspect in mind. With the argument that we witness the role of the people of the musical arts and the organization of feasts, periodically in the Shah's court and under his direct orders; because the prohibitions issued by the Shah himself, in sensitive times when the political interests of the court were the main priority, lacked any guarantee of execution and were in practice completely violated by Shah Tahmasp himself.
کلیدواژهها English
