The dialectic between the position of the field of power and its impact on the Iranian theater field in the period 1332-1332 ASH., by creating changes and diversity in the talents of the actors, and the application of this talent in the production and consumption of various fields of theater, caused fundamental changes in the production and consumption of Iranian theater; which affected production groups, hall owners and viewers. Therefore, in this research, we intend to use Bourdieu's formative structuralism and based on theories of differentiation, character, capital and field, and study the position and interaction of actors based on the social origin of each in relation to the theater field; distinguish and stance of actors against the corresponding positions; combine their cultural, economic and symbolic capitals in a descriptive-analytical manner. In the end, we find that the character and method of mastering the actors on the habits and capital of the field, has played a key role in the formation of theatrical fields of this period and has imposed its system of ideas on the theater field and has led to differentiation in the identity of theatrical fields.